When you’re in front of this building, nothing else around matters—your eyes go straight to its cold, straight architectural lines. Its abstract, minimalist shapes are the secret sauce of its design; geometry is what defines it. Color gradients are a constant in my work, and in architecture too, they’re everything. I’ve always been drawn to clean, distraction-free representations—serene scenes, almost invisible. In that stripped-back context, color and form shine naturally.